harag w' marag

In Harag wa Marag, Nadine Khan builds a world where chaos is not the exception—it’s the system.

A sealed-off city, starved of order and flooded with tension. At its heart: a love triangle, fractured by power, jealousy, and survival.
For the poster, we didn’t just illustrate the story—we abstracted its structure. The triangle wasn’t a symbol of balance. It was unstable. Inverted. A visual metaphor for a world turned upside down. Power dynamics collapse. Desire spirals. What should be stable becomes precarious

That triangle—flipped and fractured—anchored the composition. A warning more than a shape.
For the opening titles, we extended that mood. Jittery, urgent typography. Stark cuts. No gloss. The chaos was the message. The screen itself felt like it was on edge.
Harag wa Marag demanded design that didn’t clean things up—but held a mirror to the mess.